Anyone who’s into camp knows that this next focused film, THE WORLD IS FULL OF MARRIED MEN, is based on Jackie Collins’ first novel of the same name. If it’s all new to you, don’t despair. You’ll get there. Just follow this blog for an easier access. As I was saying, THE WORLD IS FULL OF MARRIED MEN is Collins’ other screen adaptation for which she wrote the screenplay (after THE STUD, another contender for Sleaze Factor). It stars Carroll Baker and the late Anthony Franciosa, two well-known faces at the time. The title song is sung onscreen by a young Bonnie Tyler (Total Eclipse of The Heart). The year is 1979 but I am totally unaware of this flick. In fact, I don’t even know who Jackie Collins is. It’ll be another four years before I discover her and her talent. In the meantime I try to survive as a gay teen. It does get better but this feeling of inner peace takes an awful time to arrive. So I read a lot. Fast forward to 1998 when I finally get a hold of Collins’ film on VHS and watch it. Suffice to say, I’m far from being disappointed.
As far as the novel is concerned, I dove right into it after finishing up the glorious HOLLYWOOD WIVES in 1983. The Powers That Be at Simon & Schuster were already cashing in on the success of Collins by reprinting some of her backlist in mass market paperbacks and THE WORLD IS FULL OF MARRIED MEN was one of them. The cover showcases the same glamour pose of some jeweled woman dressed to the nines (as you can see at the bottom of the text). The story itself, however, is a shorter one (with a bigger typeset) but the Collins style is as evident, focusing on a feisty heroine grasping for a complete control of her destiny. The plot not only takes you into the world of the music business but also centers around the workings of the advertisement agencies. It’s always fun to dig into those when the author knows what she or he talks about, and Collins is an ace at that, just as she is in writing effective sex scenes; and they are aplenty believe me, even for a 1968 novel. Of course, one thinks of Jacqueline Susann when dwelling into that era. How can you not? Both have the same style, both have show business in their blood. Both became queens of roman à clef. Collins’ heroines are stronger types however, which puts her a notch over Susann, but both authors deserve their rightful spots.
I so wanted to catch the movie adaptation after finishing this one up. I couldn’t even believe it ever existed. But there it was one day on eBay, for all the world to see, and at a decent price, no less. I still own it as we speak. I’m now waiting for the Region 1 DVD release which should occur at any moment. Well, that’s how I'd like to think of it even though nothing has been confirmed yet. It’s already out in the UK, so I don’t see why it can’t ever cross the Atlantic, right? RIGHT?!!!
Until next post—Martin