Monday, 15 August 2011
Here's an 1980 slasher flick from down under called NIGHTMARES, aka STAGE FRIGHT. It is watchable mostly for the attractive leading lady and the giallo handle the director uses to tell the story of a post-traumatic victim of a double murder who may or may not be the killer herself. It is done stylishly but the script falls flat, alas. But HELL NIGHT alum Jenny Neumann, who plays the central character, makes the film more enjoyable as her performance verges often on the unintentionally funny. So If you dig this sort of entertainment, then by no means check the film out. In the meantime, click this link for the full review.
Tuesday, 9 August 2011
"Based on a true story” THE GIRLS OF THE WHITE ORCHID first premiered as a TV movie during the fall of 1983 on NBC. I was already aware of Jennifer Jason Leigh, having seen her as an anorexia victim in THE BEST LITTLE GIRL IN THE WORLD two years prior, not to mention having witnessed her losing her onscreen virginity in the 1982 super hit FAST TIMES AT RIDGEMONT HIGH, that also featured LACE Phoebe Cates in that infamous shedding of a bikini scene. Needless to say, I was intrigued by this tale of an aspiring singer who goes to Japan thinking that she could be the next big thing but ends up being a singing prostitute and prisoner instead. THE GIRLS OF THE WHITE ORCHID had all the right ingredients for sleazy viewing: sex, hookers, debauchery… Little did I know that I would like it so much as to wind up talking about it almost three decades later on a blog such as this one.
Until next post—Martin
Wednesday, 3 August 2011
THE MOVIE MAKER centers around an unhappy bunch lusting for the good life. We have the down on his luck central character, a writer, who yearns to prove his worth via a commercial script while his long distance relationship with wife and kid is hanging by a thread. We have a pair of swinging sisters torn by success and jealousy. One is a sought-after starlet while the other struggles in her shadow. We also have a bunch of secondary characters who, as the main ones proclaim, wish to follow the yellow brick road, but with little success.
Of course, what they really need is one good therapist to bring them out of their funk (and they should go at a group rate), but that’s what’s so cool about this novel. The way the author refuses to rose-tint his characters in spite of their gloomy ways. Because we, the readers, all want to jump off a bridge when done with this book. Believe me. That’s how depressing it sometimes gets. But, the fact remains that THE MOVIE MAKER is one heck of a fascinating read. Especially for the way Herbert approaches things through his strong and catchy narrative. Indeed, not only does his tale of lost souls brings forth a string of well-executed characters in a sexually-charged setting, but it also manages to pull the heart strings every now and then; something rare in this so-called superficial genre.