Monday 30 September 2019

‘FAMILY ALBUM’ BY DANIELLE STEEL




I think my first Danielle Steel was FAMILY ALBUM (Dell, 1986). Figures, since it showcases a gay character, the first and only one in a DS novel, if I stand correctly. He’s the son of the protagonist, a fame actress turned director. This featured title was one I dug very much. I think the year was 1990 or ’91. I’m not pretty sure. What I’m positive, however, is that it was during the time when I was on the lookout for something else to read besides Collins, Sheldon and Robbins. I wanted to jump on the DS bandwagon for a while, since she seemed to be so much popular amongst women readers. So one day I said, why the heck not, and dove right in FAMILY ALBUM.  

I had no idea that one of the characters would be a young gay man. Of course I immediately connected with him. His fears, his anxieties, his shame of being found out... The romance between the heroine and the hero didn’t suck either but it was the story of this young man’s struggles that struck a chord with me, besides the show-biz subplot. As you can imagine, it all brought me back to my own experience of being a closeted gay man. Not a happy moment in my life, as you might also imagine. But moving on... 

What I also loved about this novel is the relationships between the heroine and her four children. She is what you call the perfect mom, you know, warm, understanding, caring... She is everything a real-life mother should be (which, let’s be honest here, isn’t the case with a lot of people). The plot starts during WWII and goes on to the present day where tragedy strikes and strikes until the final big one hits a nerve with the readers. But like anyone of the Thayer clan we will conquer and move on... to the next DS offering when time permits. 

FAMILY ALBUM was adapted to the small screen as a two-part miniseries in 1994. Of course I have seen it and I will probably put the spotlight on it one of these days. As for other Danielle Steel novels to be reviewed, be on the lookout. You never know when the inspiration will hit me. And if based on my DS resurgence of late, you’ll be pleasantly surprised. Not only of my sudden focus on this woman’s backlist but on other authors as well, other people whom I never thought would ever see the light of day on this wonderful blog of mine.



Until next post—Martin 

Saturday 14 September 2019

‘BLACK TIE ONLY’ BY JULIA FENTON


Read this one the minute I purchased the mass market paperback novel. It was around 1991. I was still living in the gay village, working evening shifts but partying all night. What time I had left was concentrated on my reading. My life was in shambles but I barely cared. All I wanted was to escape and BLACK TIE ONLY (Jove) by Julia Fenton gave me that opportunity. And thank god for that, for I couldn’t imagine going on without any trashy novel by my side. That’s how passionate I was—and still am to some degree. I may be in a much better place right now, not to mention well-read, but deep down I still am that little insecure fellow who needs that same fix every now and again. 

Hence, BLACK TIE ONLY which I recently re-read. It is written by a pseudonym, a male pseudonym. I used to know his real identity but for the life of me I cannot find it anywhere online. I remember him being an agent or something. He wrote other novels under many aliases. He even released one or two under his own name, but the Julia Fenton pen name is his most successful one.  

BLACK TIE ONLY tells the tale of three private American school chums—all grown up and successful—who hide a deep dark secret that threatens to unravel just as another former schoolmate, Princess Diana herself, asks one of the trio to arrange a gala in her honor. What follows is a series of scandalous situations by a bloated cast of characters, many end-of-the-chapter grabbers, flashbacks, and a somewhat unsatisfying conclusion that still pack a punch despite its verging on implausibility. The three main protagonists (a songwriter, an actress, an author) are fun to follow. Notwithstanding a lack of focus on characterization, they are still fleshed-out enough. 

All in all, I had a ball re-reading this flawed gem; sort of like picking up anything by Sidney Sheldon. It was silly. It was over-the-top. The dialogue a little off-base, but I wasn’t bored for one second. And in the end, that’s all that matters, doesn’t it? I don’t know when my next trash and glam itch will beckons—probably sooner than I think—but once it does show itself up you’ll be the first to know.





Until next post—Martin  

HC edition